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Leonardo
da Vinci is definitely the most renowned and
admired Italian in the world. His genius and
innovations in so many diverse fields have fascinated
mankind through the years and are still a subject
of study and speculation. Keeping in mind the
constant and everlasting interest in Leonardo’s
works an exhibition on the mind of Leonardo
and the mode of his thinking has been organized.
The exhibition is at the Uffizi in Gallery
in Florence from the 28th March 2006 to the
7th of January 2007 from 8.15 a.m. to 7.00 p.m.
Tuesday to Sunday.
There are many original documents and paintings
on display. Thee drawings, paintings and manuscripts
are accompanied by educational tools. They include
functional models of his inventions, digital
stations, virtual displays of some of his lost
works and high-resolution reproductions and
films on his works. For the first time there
are also a few films depicting the sensational
discoveries made in his drawings and paintings
especially in The Adoration of the Magi.
This exhibition is an attempt to explore the
way this genius’s thought processes worked.
It helps to lift the aura of mystery which shrouds
his image and looks at his rational mind which
had expressed the desire to achieve a perfect
imitation of nature through drawing and painting.
The exhibition can be divided into six major
sections.
Section I deals with the origins of the “Modern
Manner”. It also explores the innovations
in his work prior to his shift to Milan. It
also includes a scientific evaluation of The
Adoration of the Magi.
Section II deals with the “face”
of the genius. A study of his skull on the Weimar
sheet offers an insight into the art-science
concept of Leonardo’s brain. His self-portrait
and his face seen in profile in earlier representations
also offer some insights.
Section III deals with Leonardo’s Studio.
It concentrates on his library and his writing
desk. His library is filled with a large number
and wide variety of books. This speaks of a
curious and creative mind reaching out in all
directions of research. His desk has been the
birthplace of various sketches and drawings.
Section IV deals with the grammar of forms:
proportions and analogy. He believed in the
infinite malleability of forms. It is an essential
feature of all his works whether in art, drawings,
sculpture, designing of machinery or even as
an investigator of the phenomena of the physical
world.
Section V deals with Motion: the Universal
Agent. He systematically investigated the laws
of motion to find the laws that govern nature.
This also helped him as a painter who strove
to imitate nature in his splendid works. He
explores motion of the mind in art, physiognomy
and anatomy. Some of these results have been
incorporated into his famous painting The Last
Supper.
Section VI deals with the Science of Painting.
For Leonardo painting is based on the mathematical
principles of perspective. According to him
painting is a form of mental discourse where
the mind with the help of the hand capably imitates
to perfection all forms of nature as well as
endlessly invents other or new forms.
Leonardo had a fascinating mind. He believed
in unifying scientific knowledge with the artistic
representation of nature. The Mind of the Leonardo
the Genius is an excellent exhibition, which
provides insights on how the genius we call
Leonardo managed to bring a fusion of the scientific
and artistic temperament.
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